{"id":21747,"date":"2026-09-11T20:00:51","date_gmt":"2026-09-11T18:00:51","guid":{"rendered":"https:\/\/www.gvperte.it\/bresson-award-to-pedro-costa-for-his-films-the-art-of-interpreting-reality\/"},"modified":"2026-09-16T17:07:38","modified_gmt":"2026-09-16T15:07:38","slug":"bresson-award-to-pedro-costa-for-his-films-the-art-of-interpreting-reality","status":"publish","type":"post","link":"https:\/\/www.gvperte.it\/en\/bresson-award-to-pedro-costa-for-his-films-the-art-of-interpreting-reality\/","title":{"rendered":"Bresson Award to Pedro Costa for his films: the art of interpreting reality"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"<p>A cinema that takes no shortcuts, that looks to the marginalized without turning them into comforting symbols, and that, through images and sounds, seeks to explore the mystery of existence. For this reason, this year\u2019s Robert Bresson Prize was awarded to Pedro Costa, one of the most radical and personal directors in contemporary cinema. The ceremony for the 27th edition of the Award, held on September 5 as part of the 83rd Venice International Film Festival, brought together representatives from the worlds of cinema, culture, and the Church around the Portuguese director. Sponsored by the Fondazione Ente dello Spettacolo and the Rivista del Cinematografo, with the approval of the Holy See\u2019s Dicasteries for Culture and Education and for Communication, the Robert Bresson Award was established in 1999 and is awarded annually to a director who has offered \u201ca testimony, significant for its sincerity and intensity, of the difficult journey in search of the spiritual meaning of our lives.\u201d This award also stands out as the only film prize in the world awarded by the Holy See.<\/p>\n","protected":false},"author":441,"featured_media":21657,"comment_status":"closed","ping_status":"closed","sticky":true,"template":"","format":"standard","meta":{"_acf_changed":false,"give_campaign_id":0,"footnotes":""},"categories":[2197],"tags":[3140,3139,3129,3138,3128,3137,1999],"class_list":["post-21747","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-crux-en","tag-bresson","tag-diegocosta","tag-lido","tag-mostracinema","tag-movie","tag-premio","tag-venice"],"acf":{"categoria":[2197],"categoria_source":{"label":"Category","type":"taxonomy","formatted_value":[{"term_id":2197,"name":"Crux","slug":"crux-en","term_group":0,"term_taxonomy_id":2197,"taxonomy":"category","description":"","parent":0,"count":6,"filter":"raw"}]},"sottotitolo_h2":"The Portuguese director was awarded the Robert Bresson Prize by the Fondazione Ente dello Spettacolo, with the endorsement of the Vatican Dicasteries for Culture, Education, and Communication: \u201cWhen films no longer engage with reality\u2014or choose to ignore it\u2014they cease to exist.\u201d","sottotitolo_h2_source":{"label":"Subtitle","type":"text","formatted_value":"The Portuguese director was awarded the Robert Bresson Prize by the Fondazione Ente dello Spettacolo, with the endorsement of the Vatican Dicasteries for Culture, Education, and Communication: \u201cWhen films no longer engage with reality\u2014or choose to ignore it\u2014they cease to exist.\u201d"},"immagini_principale":{"ID":21657,"id":21657,"title":"cult3 Pedro Costa con mons. Davide Milani, sen. Lucia Borgonzoni, Gianluca Arnone_ph Karen Di Paola","filename":"cult3-Pedro-Costa-con-mons.-Davide-Milani-sen.-Lucia-Borgonzoni-Gianluca-Arnone_ph-Karen-Di-Paola.jpeg","filesize":183506,"url":"https:\/\/www.gvperte.it\/wp-content\/uploads\/2026\/09\/cult3-Pedro-Costa-con-mons.-Davide-Milani-sen.-Lucia-Borgonzoni-Gianluca-Arnone_ph-Karen-Di-Paola.jpeg","link":"https:\/\/www.gvperte.it\/en\/bresson-award-to-pedro-costa-for-his-films-the-art-of-interpreting-reality\/cult3-pedro-costa-con-mons-davide-milani-sen-lucia-borgonzoni-gianluca-arnone_ph-karen-di-paola-2\/","alt":"","author":"89","description":"","caption":"Pedro Costa (secondo da destra) con mons. Davide Milani, sen. 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Davide Milani, sen. Lucia Borgonzoni, Gianluca Arnone_ph Karen Di Paola","filename":"cult3-Pedro-Costa-con-mons.-Davide-Milani-sen.-Lucia-Borgonzoni-Gianluca-Arnone_ph-Karen-Di-Paola.jpeg","filesize":183506,"url":"https:\/\/www.gvperte.it\/wp-content\/uploads\/2026\/09\/cult3-Pedro-Costa-con-mons.-Davide-Milani-sen.-Lucia-Borgonzoni-Gianluca-Arnone_ph-Karen-Di-Paola.jpeg","link":"https:\/\/www.gvperte.it\/en\/bresson-award-to-pedro-costa-for-his-films-the-art-of-interpreting-reality\/cult3-pedro-costa-con-mons-davide-milani-sen-lucia-borgonzoni-gianluca-arnone_ph-karen-di-paola-2\/","alt":"","author":"89","description":"","caption":"Pedro Costa (secondo da destra) con mons. Davide Milani, sen. Lucia Borgonzoni, Gianluca Arnone (ph Karen Di Paola)","name":"cult3-pedro-costa-con-mons-davide-milani-sen-lucia-borgonzoni-gianluca-arnone_ph-karen-di-paola-2","status":"inherit","uploaded_to":21747,"date":"2026-09-11 13:11:22","modified":"2026-09-16 14:31:09","menu_order":0,"mime_type":"image\/jpeg","type":"image","subtype":"jpeg","icon":"https:\/\/www.gvperte.it\/wp-includes\/images\/media\/default.png","width":1600,"height":1210,"sizes":{"thumbnail":"https:\/\/www.gvperte.it\/wp-content\/uploads\/2026\/09\/cult3-Pedro-Costa-con-mons.-Davide-Milani-sen.-Lucia-Borgonzoni-Gianluca-Arnone_ph-Karen-Di-Paola-150x150.jpeg","thumbnail-width":150,"thumbnail-height":150,"medium":"https:\/\/www.gvperte.it\/wp-content\/uploads\/2026\/09\/cult3-Pedro-Costa-con-mons.-Davide-Milani-sen.-Lucia-Borgonzoni-Gianluca-Arnone_ph-Karen-Di-Paola-300x227.jpeg","medium-width":300,"medium-height":227,"medium_large":"https:\/\/www.gvperte.it\/wp-content\/uploads\/2026\/09\/cult3-Pedro-Costa-con-mons.-Davide-Milani-sen.-Lucia-Borgonzoni-Gianluca-Arnone_ph-Karen-Di-Paola-768x581.jpeg","medium_large-width":768,"medium_large-height":581,"large":"https:\/\/www.gvperte.it\/wp-content\/uploads\/2026\/09\/cult3-Pedro-Costa-con-mons.-Davide-Milani-sen.-Lucia-Borgonzoni-Gianluca-Arnone_ph-Karen-Di-Paola.jpeg","large-width":800,"large-height":605,"1536x1536":"https:\/\/www.gvperte.it\/wp-content\/uploads\/2026\/09\/cult3-Pedro-Costa-con-mons.-Davide-Milani-sen.-Lucia-Borgonzoni-Gianluca-Arnone_ph-Karen-Di-Paola-1536x1162.jpeg","1536x1536-width":1536,"1536x1536-height":1162,"2048x2048":"https:\/\/www.gvperte.it\/wp-content\/uploads\/2026\/09\/cult3-Pedro-Costa-con-mons.-Davide-Milani-sen.-Lucia-Borgonzoni-Gianluca-Arnone_ph-Karen-Di-Paola.jpeg","2048x2048-width":1600,"2048x2048-height":1210,"mailpoet_newsletter_max":"https:\/\/www.gvperte.it\/wp-content\/uploads\/2026\/09\/cult3-Pedro-Costa-con-mons.-Davide-Milani-sen.-Lucia-Borgonzoni-Gianluca-Arnone_ph-Karen-Di-Paola-1320x998.jpeg","mailpoet_newsletter_max-width":1320,"mailpoet_newsletter_max-height":998}}},"introduzione":"A cinema that takes no shortcuts, that looks to the marginalized without turning them into comforting symbols, and that, through images and sounds, seeks to explore the mystery of existence. For this reason, this year\u2019s Robert Bresson Prize was awarded to Pedro Costa, one of the most radical and personal directors in contemporary cinema. The ceremony for the 27th edition of the Award, held on September 5 as part of the 83rd Venice International Film Festival, brought together representatives from the worlds of cinema, culture, and the Church around the Portuguese director. Sponsored by the Fondazione Ente dello Spettacolo and the Rivista del Cinematografo, with the approval of the Holy See\u2019s Dicasteries for Culture and Education and for Communication, the Robert Bresson Award was established in 1999 and is awarded annually to a director who has offered \u201ca testimony, significant for its sincerity and intensity, of the difficult journey in search of the spiritual meaning of our lives.\u201d This award also stands out as the only film prize in the world awarded by the Holy See.","introduzione_source":{"label":"Introduction","type":"wysiwyg","formatted_value":"<p>A cinema that takes no shortcuts, that looks to the marginalized without turning them into comforting symbols, and that, through images and sounds, seeks to explore the mystery of existence. For this reason, this year\u2019s Robert Bresson Prize was awarded to Pedro Costa, one of the most radical and personal directors in contemporary cinema. The ceremony for the 27th edition of the Award, held on September 5 as part of the 83rd Venice International Film Festival, brought together representatives from the worlds of cinema, culture, and the Church around the Portuguese director. Sponsored by the Fondazione Ente dello Spettacolo and the Rivista del Cinematografo, with the approval of the Holy See\u2019s Dicasteries for Culture and Education and for Communication, the Robert Bresson Award was established in 1999 and is awarded annually to a director who has offered \u201ca testimony, significant for its sincerity and intensity, of the difficult journey in search of the spiritual meaning of our lives.\u201d This award also stands out as the only film prize in the world awarded by the Holy See.<\/p>\n"},"paragrafi_articolo":[{"titolo_paragrafo":"Costa's films, which often focus on the margins of society","testo_paragrafo":"The ceremony was opened by the festival director, Alberto Barbera, who noted that Pedro Costa is \u201ca champion of ambitious, uncompromising cinema, a filmmaker whose works delve into a higher dimension of our existence and help us grapple with issues that go beyond cinema itself.\u201d In Costa\u2019s films, which are rooted in the margins of society\u2014particularly through the stories of the residents of Lisbon\u2019s poor neighborhoods\u2014reality is neither sugarcoated nor made more accessible to the viewer. It is precisely this perspective that the Bresson Prize sought to honor. The citation paints a portrait of a director who, over more than thirty years of work, \u201chas stripped cinema of everything superfluous: lighting, tracking shots, music, acting. He has inherited Robert Bresson\u2019s ethical rigor and transformed it into a lesson in humanity within the dark homes of a demolished neighborhood, among the men and women forgotten by history.\u201d Yet his cinema does not console or redeem. His focus is on time, the face, and the light that survives the shadow. His legacy to the marginalized: a form. And to us, an uncompromising testimony to that search for the spiritual meaning of life that the Award recognizes.\u201d Monsignor Davide Milani, president of the Fondazione Ente dello Spettacolo, explained the significance of the award. \u201cOften, when awarding prizes, there is a misunderstanding about who bestows prestige upon whom,\u201d he observed. \u201cThe Bible reminds us that \u2018iron sharpens iron, and friendship is sharpened by the gaze of the other.\u2019 Indeed, the gaze of the Ente dello Spettacolo is sharpened the moment it rests upon the cinema of Pedro Costa.\u201d","multimedia":"immagine","video":null,"immagine_paragrafo":{"ID":21659,"id":21659,"title":"mostra cinema","filename":"mostra-cinema.jpeg","filesize":360913,"url":"https:\/\/www.gvperte.it\/wp-content\/uploads\/2026\/09\/mostra-cinema.jpeg","link":"https:\/\/www.gvperte.it\/en\/bresson-award-to-pedro-costa-for-his-films-the-art-of-interpreting-reality\/mostra-cinema-2\/","alt":"","author":"89","description":"","caption":"","name":"mostra-cinema-2","status":"inherit","uploaded_to":21747,"date":"2026-09-11 13:18:25","modified":"2026-09-16 14:31:09","menu_order":0,"mime_type":"image\/jpeg","type":"image","subtype":"jpeg","icon":"https:\/\/www.gvperte.it\/wp-includes\/images\/media\/default.png","width":2048,"height":1536,"sizes":{"thumbnail":"https:\/\/www.gvperte.it\/wp-content\/uploads\/2026\/09\/mostra-cinema-150x150.jpeg","thumbnail-width":150,"thumbnail-height":150,"medium":"https:\/\/www.gvperte.it\/wp-content\/uploads\/2026\/09\/mostra-cinema-300x225.jpeg","medium-width":300,"medium-height":225,"medium_large":"https:\/\/www.gvperte.it\/wp-content\/uploads\/2026\/09\/mostra-cinema-768x576.jpeg","medium_large-width":768,"medium_large-height":576,"large":"https:\/\/www.gvperte.it\/wp-content\/uploads\/2026\/09\/mostra-cinema-1707x1280.jpeg","large-width":800,"large-height":600,"1536x1536":"https:\/\/www.gvperte.it\/wp-content\/uploads\/2026\/09\/mostra-cinema-1536x1152.jpeg","1536x1536-width":1536,"1536x1536-height":1152,"2048x2048":"https:\/\/www.gvperte.it\/wp-content\/uploads\/2026\/09\/mostra-cinema.jpeg","2048x2048-width":2048,"2048x2048-height":1536,"mailpoet_newsletter_max":"https:\/\/www.gvperte.it\/wp-content\/uploads\/2026\/09\/mostra-cinema-1320x990.jpeg","mailpoet_newsletter_max-width":1320,"mailpoet_newsletter_max-height":990}},"didascalia":""},{"titolo_paragrafo":"Pedro Costa: \u201cCinema? It\u2019s the art of rebellion.\u201d","testo_paragrafo":"The Portuguese director accepted the award by emphasizing his vision of cinema, which seems to respond almost directly to the award\u2019s rationale: \u201cThe calling of cinema has always been this: to try to understand something mysterious about human beings and the world through image and sound.\u201d Costa, however, did not shy away from his most radical conception of the seventh art. On the contrary, he reaffirmed it in no uncertain terms: \u201cCinema isn\u2019t simply about putting together a crew and touring the film festivals. Cinema is the art of rebellion.\u201d A rebellion that, for the director, means first and foremost refusing to look the other way: \u201cWhen it stops confronting reality, or refuses to see it, it is no longer cinema; it ceases to exist.\u201d This recognition comes at a particularly significant moment in Costa\u2019s career. In Venice, the director looked back on his filmography and outlined the contours of his next, long-awaited musical feature film, which grew out of the short film *As filhas do fogo*. Once again, then, a cinema that chooses to remain on the margins, to slow down the gaze, and to make room for what normally risks going unseen. It is perhaps precisely in this choice not to simplify reality that Pedro Costa\u2019s cinema most deeply connects with the legacy of Robert Bresson and the spirit of an award that, for 27 editions, has sought\u2014through cinema\u2014a trace of the spiritual meaning of life.","multimedia":"immagine","video":null,"immagine_paragrafo":{"ID":21716,"id":21716,"title":"Pedro Costa","filename":"Pedro-Costa.jpeg","filesize":236336,"url":"https:\/\/www.gvperte.it\/wp-content\/uploads\/2026\/09\/Pedro-Costa.jpeg","link":"https:\/\/www.gvperte.it\/en\/bresson-award-to-pedro-costa-for-his-films-the-art-of-interpreting-reality\/pedro-costa-2\/","alt":"","author":"110","description":"","caption":"","name":"pedro-costa-2","status":"inherit","uploaded_to":21747,"date":"2026-09-11 22:51:51","modified":"2026-09-16 14:31:09","menu_order":0,"mime_type":"image\/jpeg","type":"image","subtype":"jpeg","icon":"https:\/\/www.gvperte.it\/wp-includes\/images\/media\/default.png","width":1438,"height":2048,"sizes":{"thumbnail":"https:\/\/www.gvperte.it\/wp-content\/uploads\/2026\/09\/Pedro-Costa-150x150.jpeg","thumbnail-width":150,"thumbnail-height":150,"medium":"https:\/\/www.gvperte.it\/wp-content\/uploads\/2026\/09\/Pedro-Costa-211x300.jpeg","medium-width":211,"medium-height":300,"medium_large":"https:\/\/www.gvperte.it\/wp-content\/uploads\/2026\/09\/Pedro-Costa-768x1094.jpeg","medium_large-width":768,"medium_large-height":1094,"large":"https:\/\/www.gvperte.it\/wp-content\/uploads\/2026\/09\/Pedro-Costa-899x1280.jpeg","large-width":800,"large-height":1139,"1536x1536":"https:\/\/www.gvperte.it\/wp-content\/uploads\/2026\/09\/Pedro-Costa-1079x1536.jpeg","1536x1536-width":1079,"1536x1536-height":1536,"2048x2048":"https:\/\/www.gvperte.it\/wp-content\/uploads\/2026\/09\/Pedro-Costa.jpeg","2048x2048-width":1438,"2048x2048-height":2048,"mailpoet_newsletter_max":"https:\/\/www.gvperte.it\/wp-content\/uploads\/2026\/09\/Pedro-Costa-1320x1880.jpeg","mailpoet_newsletter_max-width":1320,"mailpoet_newsletter_max-height":1880}},"didascalia":"Pedro Costa"}],"paragrafi_articolo_source":{"label":"Article Paragraphs","type":"repeater","formatted_value":[{"titolo_paragrafo":"Costa's films, which often focus on the margins of society","testo_paragrafo":"<p>The ceremony was opened by the festival director, Alberto Barbera, who noted that Pedro Costa is \u201ca champion of ambitious, uncompromising cinema, a filmmaker whose works delve into a higher dimension of our existence and help us grapple with issues that go beyond cinema itself.\u201d In Costa\u2019s films, which are rooted in the margins of society\u2014particularly through the stories of the residents of Lisbon\u2019s poor neighborhoods\u2014reality is neither sugarcoated nor made more accessible to the viewer. It is precisely this perspective that the Bresson Prize sought to honor. The citation paints a portrait of a director who, over more than thirty years of work, \u201chas stripped cinema of everything superfluous: lighting, tracking shots, music, acting. He has inherited Robert Bresson\u2019s ethical rigor and transformed it into a lesson in humanity within the dark homes of a demolished neighborhood, among the men and women forgotten by history.\u201d Yet his cinema does not console or redeem. His focus is on time, the face, and the light that survives the shadow. His legacy to the marginalized: a form. And to us, an uncompromising testimony to that search for the spiritual meaning of life that the Award recognizes.\u201d Monsignor Davide Milani, president of the Fondazione Ente dello Spettacolo, explained the significance of the award. \u201cOften, when awarding prizes, there is a misunderstanding about who bestows prestige upon whom,\u201d he observed. \u201cThe Bible reminds us that \u2018iron sharpens iron, and friendship is sharpened by the gaze of the other.\u2019 Indeed, the gaze of the Ente dello Spettacolo is sharpened the moment it rests upon the cinema of Pedro Costa.\u201d<\/p>\n","multimedia":"immagine","video":null,"immagine_paragrafo":{"ID":21659,"id":21659,"title":"mostra cinema","filename":"mostra-cinema.jpeg","filesize":360913,"url":"https:\/\/www.gvperte.it\/wp-content\/uploads\/2026\/09\/mostra-cinema.jpeg","link":"https:\/\/www.gvperte.it\/en\/bresson-award-to-pedro-costa-for-his-films-the-art-of-interpreting-reality\/mostra-cinema-2\/","alt":"","author":"89","description":"","caption":"","name":"mostra-cinema-2","status":"inherit","uploaded_to":21747,"date":"2026-09-11 13:18:25","modified":"2026-09-16 14:31:09","menu_order":0,"mime_type":"image\/jpeg","type":"image","subtype":"jpeg","icon":"https:\/\/www.gvperte.it\/wp-includes\/images\/media\/default.png","width":2048,"height":1536,"sizes":{"thumbnail":"https:\/\/www.gvperte.it\/wp-content\/uploads\/2026\/09\/mostra-cinema-150x150.jpeg","thumbnail-width":150,"thumbnail-height":150,"medium":"https:\/\/www.gvperte.it\/wp-content\/uploads\/2026\/09\/mostra-cinema-300x225.jpeg","medium-width":300,"medium-height":225,"medium_large":"https:\/\/www.gvperte.it\/wp-content\/uploads\/2026\/09\/mostra-cinema-768x576.jpeg","medium_large-width":768,"medium_large-height":576,"large":"https:\/\/www.gvperte.it\/wp-content\/uploads\/2026\/09\/mostra-cinema-1707x1280.jpeg","large-width":800,"large-height":600,"1536x1536":"https:\/\/www.gvperte.it\/wp-content\/uploads\/2026\/09\/mostra-cinema-1536x1152.jpeg","1536x1536-width":1536,"1536x1536-height":1152,"2048x2048":"https:\/\/www.gvperte.it\/wp-content\/uploads\/2026\/09\/mostra-cinema.jpeg","2048x2048-width":2048,"2048x2048-height":1536,"mailpoet_newsletter_max":"https:\/\/www.gvperte.it\/wp-content\/uploads\/2026\/09\/mostra-cinema-1320x990.jpeg","mailpoet_newsletter_max-width":1320,"mailpoet_newsletter_max-height":990}},"didascalia":""},{"titolo_paragrafo":"Pedro Costa: \u201cCinema? It\u2019s the art of rebellion.\u201d","testo_paragrafo":"<p>The Portuguese director accepted the award by emphasizing his vision of cinema, which seems to respond almost directly to the award\u2019s rationale: \u201cThe calling of cinema has always been this: to try to understand something mysterious about human beings and the world through image and sound.\u201d Costa, however, did not shy away from his most radical conception of the seventh art. On the contrary, he reaffirmed it in no uncertain terms: \u201cCinema isn\u2019t simply about putting together a crew and touring the film festivals. Cinema is the art of rebellion.\u201d A rebellion that, for the director, means first and foremost refusing to look the other way: \u201cWhen it stops confronting reality, or refuses to see it, it is no longer cinema; it ceases to exist.\u201d This recognition comes at a particularly significant moment in Costa\u2019s career. In Venice, the director looked back on his filmography and outlined the contours of his next, long-awaited musical feature film, which grew out of the short film *As filhas do fogo*. Once again, then, a cinema that chooses to remain on the margins, to slow down the gaze, and to make room for what normally risks going unseen. It is perhaps precisely in this choice not to simplify reality that Pedro Costa\u2019s cinema most deeply connects with the legacy of Robert Bresson and the spirit of an award that, for 27 editions, has sought\u2014through cinema\u2014a trace of the spiritual meaning of life.<\/p>\n","multimedia":"immagine","video":null,"immagine_paragrafo":{"ID":21716,"id":21716,"title":"Pedro Costa","filename":"Pedro-Costa.jpeg","filesize":236336,"url":"https:\/\/www.gvperte.it\/wp-content\/uploads\/2026\/09\/Pedro-Costa.jpeg","link":"https:\/\/www.gvperte.it\/en\/bresson-award-to-pedro-costa-for-his-films-the-art-of-interpreting-reality\/pedro-costa-2\/","alt":"","author":"110","description":"","caption":"","name":"pedro-costa-2","status":"inherit","uploaded_to":21747,"date":"2026-09-11 22:51:51","modified":"2026-09-16 14:31:09","menu_order":0,"mime_type":"image\/jpeg","type":"image","subtype":"jpeg","icon":"https:\/\/www.gvperte.it\/wp-includes\/images\/media\/default.png","width":1438,"height":2048,"sizes":{"thumbnail":"https:\/\/www.gvperte.it\/wp-content\/uploads\/2026\/09\/Pedro-Costa-150x150.jpeg","thumbnail-width":150,"thumbnail-height":150,"medium":"https:\/\/www.gvperte.it\/wp-content\/uploads\/2026\/09\/Pedro-Costa-211x300.jpeg","medium-width":211,"medium-height":300,"medium_large":"https:\/\/www.gvperte.it\/wp-content\/uploads\/2026\/09\/Pedro-Costa-768x1094.jpeg","medium_large-width":768,"medium_large-height":1094,"large":"https:\/\/www.gvperte.it\/wp-content\/uploads\/2026\/09\/Pedro-Costa-899x1280.jpeg","large-width":800,"large-height":1139,"1536x1536":"https:\/\/www.gvperte.it\/wp-content\/uploads\/2026\/09\/Pedro-Costa-1079x1536.jpeg","1536x1536-width":1079,"1536x1536-height":1536,"2048x2048":"https:\/\/www.gvperte.it\/wp-content\/uploads\/2026\/09\/Pedro-Costa.jpeg","2048x2048-width":1438,"2048x2048-height":2048,"mailpoet_newsletter_max":"https:\/\/www.gvperte.it\/wp-content\/uploads\/2026\/09\/Pedro-Costa-1320x1880.jpeg","mailpoet_newsletter_max-width":1320,"mailpoet_newsletter_max-height":1880}},"didascalia":"Pedro Costa"}]},"parole_chiave":[],"parole_chiave_source":{"label":"Keywords.","type":"taxonomy","formatted_value":false},"autore_esterno":"","autore_esterno_source":{"label":"Autore Esterno","type":"text","formatted_value":""}},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.5 - 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